Here’s my stance on why I thoroughly convict that writing in your own voice, style, manner, and range beats relying on AI programs like ChatGPT or DeepSeek to do it for you by a huge, magnificent, long shot. I have always admired stories, plays, poems, and discourses written by great minds such as Charles Perrault, Jakob and Wilhelm Grimm, Hans Christian Andersen, William Shakespeare, Tony Kushner, William Wordsworth, Samuel Taylor Coleridge, Mary Woolstonecraft Shelley, Toni Morrison, Virginia Woolf, Maya Angelou, P.L. Travers, and bell hooks from infancy to childhood to adolescence to adulthood. I have some favorite works from these authors, including Mary Poppins by P.L. Travers, Mrs. Dalloway by Virginia Woolf, Angels in America by Tony Kushner, and We Real Cool: Black Men and Masculinity by bell hooks. While I am at it, I am far more partial to reading and listening to the timeless nursery rhymes from Mother Goose rather than the soullessly obnoxious drivel depleting young children’s attention spans on social media. We, as a society, desperately need to stimulate creativity and imagination legitimately through reading, writing, and learning from all the old masters and mistresses of literature. Our favorite television shows and movies would not be memorable without the craft of various screenwriters, producers, and show creators. Paddy Chayefsky’s biting use of satire and clever dialogue has bolstered Network’s memorability as a harsh yet insightful look into how the media can distort the audience’s perception of the world around them. Benny Medina’s first-hand experience growing up in Los Angeles with his younger siblings, hopping from foster home to foster home before settling with his white relatives, formed the basis of the 1990s sitcom The Fresh Prince of Bel-Air and made it even more memorable. While Sheryl Leach was the main creator of Barney the Dinosaur for her young son as a means to spread pro-social messages of unconditional love and kindness, Kathy Parker, Dennis DeShazer, and Stephen White were among the many writers involved to ensure that Barney’s prime from Barney and the Backyard Gang to Barney and Friends were memorable for a chiefly pre-school to early grade school audience. Hayao Miyazaki has always implemented various influences from his native Japan to various parts of the world to give his characters and settings depth, majesty, and distinction. Akira Toriyama breathed new life into The Journey to the West epic and transformed it into the fun and engaging Dragon Ball franchise. Yoshihiro Togashi made YuYu Hakusho into the amazing and story-driven shonen anime that it was, with the characters using their intellect and physical prowess to overcome every obstacle. All of them have produced interesting works, thanks to their distinctiveness and appeal to various demographics. Creative minds beget great works steeped in distinction and individuality and resonate much more strongly than what any AI program can produce.
Articles by Antoni Matteo Garcia
Sensitive charm and youthful virility have been engendered in Jonathan Tetelman as Werther, while graceful elegance and noble poignancy have defined Aigul Akhmetshina as Charlotte. Please enjoy my review and let me know your opinions. https://youtu.be/6Yd3WR0JYfo
Jeanine De Bique conquers Violetta Valery with glorious aplomb, regal elegance, vocal clarity, and technical abandon in this dark and minimalist production of Verdi’s La Traviata.
Three of the Deutsche Oper Berlin’s most recently unbeatable opera stars of the Slavic school have come, seen, and conquered Lieder composed by Richard Strauss and Aribert Reimann. Please enjoy my review and let me know your opinions.
Greetings, anime fans, martial arts aficionados, fighting game devotees, and enthusiasts of all things about anime, martial arts, video games, and fighting tournaments. Antoni here with another written entry. I can never have enough of my Fourteen Anime Martial Arts Teams AU headcanon. Therefore, I decided to switch things up a bit and add more edge to a good chunk of the teams while rearranging two teams. The tweaks serve as a reminder that a lot of the martial arts some team members practice will resonate with them a lot more. Furthermore, the same rule applies that there are seven members per team, one martial art per member, and they shall be arranged from oldest to youngest, complete with their birthdays and current ages. The only new addition is the signature technique. With that said, let’s get ready to rumble. Osu! Hajime! The Scarily Splendid Seven (Sesshoumaru, Shuran, Inuyasha, Hakkaku, Ginta, Ayame, and Shunran) What happens when two mightily powerful dog Yokai warrior brothers in Sesshoumaru and Inuyasha, three spiky-haired Yokai warrior brothers in Shuran, Hakkaku, and Ginta, and two auburn-haired sisters step into the arena? The audience would cheer so loudly, and these seven Yokai warriors would shower their opponents with insurmountable amounts of terrifying intimidation. Their formidable combat prowess is akin to being mauled and massacred by powerful lions, strong tigers, and grizzly bears. Furthermore, these seven Yokai warriors have the ear-splitting roars to prove that they mean business in thoroughly destroying their enemies with their prodigious might. Sesshoumaru from Inuyasha– Strong Style Professional Wrestling; February 7, 1981; 44 years old; Canadian Backbreaker Racks Shuran from Inuyasha– King’s Road Professional Wrestling; January 24, 1982; 43 years old; Argentinian Backbreaker Racks Inuyasha from Inuyasha– Ancient Greek Wrestling or Palé; January 31, 1982; 43 years old; Bearhugs Hakkaku from Inuyasha– Khmer Traditional Wrestling or Baok Cham Bab; March 9, 1983; 42 years old; Anaconda Chokes Ginta from Inuyasha– Rakhine Traditional Wrestling or Kyin; March 16, 1983; 42 years old; Chicken Wing Armlocks Ayame from Inuyasha– Vale Tudo; February 22, 1985; 40 years old; Ground-and-Pounds Shunran from Inuyasha– Mixed Martial Arts; March 1, 1986; Sprawl-and-Brawls The Superbly Sweeping Septet (Ichise, Kiba, Kintaro, Ran, Cheza, Ayu, and Nina) Formidable strength found in Ichise, Kiba, and Kintaro Toyama, unbreakable focus demonstrated by Ran and Cheza, and well-timed accuracy accomplished by Ayu Tateishi and Nina Sakura are the attributes that have made them thrive in the world’s martial arts arenas. These seven mavericks work so beautifully in synergy that it is impossible for the audience to take their eyes off of them. Ichise’s, Kiba’s, and Kintaro’s mighty command of grappling holds and brutalizing strikes, Ran’s and Cheza’s focused strikes, and Ayu’s and Nina’s speedy strikes put them on the map as a septet of consummate warriors with clear direction, unparalleled balance, and astounding teamwork. Ichise from Texhnolyze– Luta Livre Profissional; March 23, 1984; 41 years old; Double Axe Handles Kiba from Wolf’s Rain– Luta Livre Olímpico; November 25, 1984; 41 years old; European Uppercuts Kintaro Toyama from Detective School Q– Luta Livre Esportiva; November 28, 1984; 41 years old; Forearm Clubs Ran from Texhnolyze– Wing Chun; April 10, 1989; 36 years old; Leopard Blows Cheza from Wolf’s Rain– Bajiquan; April 12, 1989; 36 years old; Tiger Claw Strikes Ayu Tateishi from Ultra Maniac– Baguazhang; April 16, 1989; 36 years old; Eagle Claw Strikes Nina Sakura from Ultra Maniac– Changquan; April 22, 1989; 36 years old; Crane Beak Strikes Zeus’s Muscle Emperors (Yoshiki, Mamoru, Kuranosuke, Tsume, Mitsuhide, Kisuke, and Shinosuke) Massively magnificent muscles that resemble mountain ranges and boundlessly beefy brawn, durable as a hard alloy of iron, steel, titanium, and platinum, are what Yoshiki Takaishi, Mamoru Takamura, Kuranosuke Takeda, Tsume, Mitsuhide Kuroda, Kisuke, and Shinosuke are made of as musclebound warlord wrestler and bodybuilder emperors. They can turn the most fearsome of ogres and giants into mere men, thanks to their prodigiously godly command of submission holds and finishing techniques. If that were not enough, their volcanically earth-shattering roars can make sasquatches, grizzly bears, gorillas, and lions flee, and King Grayskull himself truly proud of them. Yoshiki Takaishi from Shootfighter Tekken– West African Wrestling or Lutte Traditionelle; December 25, 1979; 46 years old; Gorilla Press Slams Mamoru Takamura from Hajime no Ippo– Gambian Wrestling or Boreh; July 7, 1980; 45 years old; Fireman’s Carry Slams Kuranosuke Takeda from Inuyasha– Togolese Wrestling or Evala; July 28, 1980; 45 years old; Airplane Spins Tsume from Wolf’s Rain– Senegalese Wrestling or Laamb; April 4, 1981; 44 years old; Samoan Drops Mitsuhide Kuroda from Shootfighter Tekken– Hausa Wrestling or Kokowa; April 8, 1981; 44 years old; Electric Chair Drops Kisuke from Inuyasha– Sudanese Wrestling or Nuba; April 12, 1981; 44 years old; Guillotine Drops Shinosuke from Inuyasha– Yoruban Wrestling or Gidigbo; April 16, 1981; 44 years old; Full Nelson Slams Heracles’s Titanium Muscle Emperors (Baki, Ryoma, Kurz, Mario, Masaru, Tatsuya, and Takeshi) King Grayskull, He-Man, Conan of Cimmeria, Ka-Zar of the Savage Lands, and Hercules can place olive wreaths and gold medals on Baki Hanma, Ryoma Sakamoto, Kurz Weber, Mario Musicanova, Masaru Aoki, Tatsuya Kimura, and Takeshi Sendo. This is because these seven emperor god wrestlers and bodybuilders have magnificently mountainous muscles of steel, titanium, iron, and platinum, as well as copious amounts of virility, courage, and heroism to conquer every competition in the arena. Moreover, they have the amazingly earth-shattering roars that can make lions, tigers, gorillas, and grizzly bears blush with terrible anguish and envy, while rapidly fleeing from the scene. Baki Hanma from Baki the Grappler– Malla-yuddha; December 30, 1981; 44 years old; Burning Hammers Ryoma Sakamoto from Shura no Toki– Pehlwani; January 3, 1982; 43 years old; Powerbombs Kurz Weber from Full Metal Panic– Inbuan; April 1, 1982; 43 years old; Piledrivers Mario Musicanova from Geneshaft– Mukna; July 26, 1982; 43 years old; Body Avalanches Masaru Aoki from Hajime no Ippo– Malakhra; September 9, 1982; 43 years old; Full Nelsons Tatsuya Kimura from Hajime no Ippo– Malyutham; October 10, 1982; 43 years old; Camel…
From Elena Pankratova’s beginnings in the more Italianate repertoire to her current tenure in the Wagnerian repertoire, she continues rising as the wrathfully vengeful princess Elektra. Please enjoy my review and let me know your opinions.
Orchestral music and Lieder syncopate to make this evening of Richard Strauss’s works flourish. Please enjoy my review and let me know your opinions.
Intimately romantic twists and turns and various operatic references pepper Tobias Kratzer’s production of Richard Strauss’s Intermezzo with fascinating character dynamics. Please enjoy my review and let me know your opinions.
Overlooking my conflicting sentiments about Rolando Villazón’s overall vocal form as Idomeneo, his unique brand of charisma remains interesting. Please enjoy my review and let me know your opinions.
Elegance, femininity, and gorgeousness combine with confidently lyrical vocals and involving theatrical acting to make Maria Agresta’s performance of Cio-Cio-San engaging. Please enjoy my review and let me know your opinions.