Let Joby Talbot’s vivid musical score, Christopher Wheeldon’s versatile choreography, and Christopher Saunders’ eye-popping, intricate, and gorgeous production whisk you all into a world full of color, magic, and thrills in this ballet adaptation of Lewis Carroll’s magnum opus. Enjoy the review and let me know your opinions as well. #ROHAlice
Herr Jonas Kaufmann strikes again as the Infante prince, Don Carlos. This time he’s joined by two gorgeous leading ladies who rose to the challenge to sing the grand roles of Eboli and Elisabeth, portrayed respectively by the smoky-toned and sensual Elina Garanca and the youthful and versatile Sonya Yoncheva. Enjoy the review and let me know your opinions as well.
This was a Samhain well-spent in courtesy of Mesdames Sondra Radvanovsky’s and Joyce DiDonato’s insurmountable and prodigious skills as singing actresses in the pivotal roles of the famous druid priestess, Norma, and her young friend, Adalgisa. Enjoy the review and let me know your opinions as well.
‘Twas a dark, claustrophobic, and creepy production of Lucia di Lammermoor. And a fine lyric soprano with a good coloratura technique rose to the challenge to take on such an iconic heroine, as she has also sung this in some opera houses. Enjoy the review and let me know your opinions as well.
Tonight’s premiere of Werther: A Wound in the Soul was quite a success. I would love to thank my director, Frank-Tilmann Otto, for his patience and my co-star, Jerome Winistädt, for his dedication. There are three more showings at Theater O-Ton Art next Wednesday, next Sunday, and November 2. So, I hope you all come and see you next time! El estreno de esta noche de Werther: Una Herida en el Alma era un exito. Quiero a agradecer mi director, Frank-Tillmann Otto, por su paciencia y mi coestrella, Jerome Winistädt, por su dedicación. Hay tres más acutaciones en el Theater O-Ton Art en el miercoles próximo, el domingo próximo, y el segundo de noviembre. Entonces, espero que veneis y hasta la próxima. Die Premiere von Werther: Ein Riss in der Seele war ein Erfolg. Ich würde gern mein Regisseur, Frank-Tillmann Otto, für seine Geduld und mein Co-Star, Jerome Winistädt, für seine Leidenschaftlichkeit bedanken. Es gibt noch drei Showings am nächsten Mittwoch, am nächsten Sonntag, und am 2. November an dem Theater O-Ton Art. Also, ich hoffe ihr alle kommt und bis zum nächsten Mal.
Julie Taymor’s aesthetically vivid production comes to life and one lovely lyric soprano in the form of Miss Golda Schultz rises up to the challenge to take on Pamina at the Met joined by a cavalcade of musical titans. Enjoy the review and let me know your opinions as well.
It’s Don Giovanni meets Steampunk and the Seven Deadly Sins in a small theater. Enjoy the review and let me know your opinions as well.
Top of the morning, everybody! I made a few edits to my Patreon account and I also added a couple of goals, which will help me flourish and get into high gear in my work, career, and passion as an online critic. I hope you can support me in this journey and until then, take care and have a lovely Sunday. https://www.patreon.com/antonireviewsoperaandmanyotherstuff
Team Night Saturn is now 4 years old! I’m talking a bit about the site, a few reasons as to why I was unable to complete “The Path In Me” at the right time, some future plans with TNS and what I’ve got planned for my own future.