It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
Burkhard Ulrich
A charming young light lyric soprano, who is also capable of doing coloratura soprano roles, made her mark tonight as the pristinely tender Princess Pamina. Please enjoy my review and let me know your opinions as well.
Graduating from the flirtatiously flitting Fiakermilli to the imperious Queen of the Night was Hye-Young Moon, a young lyric coloratura soprano who embraced the challenge of tackling this demanding yet iconic Mozart villainess. Enjoy my review and let me know your opinions as well.
Fresh from his role debut as the Venetian Moor in Toronto, Canada, Russell Thomas brought this iconic tragic hero to Berlin where he was joined by a cavalcade of superstars, including the pristine Guanqun Yu and the dynamic George Gagnidze. Enjoy the review and let me know your opinions as well.
Claus Guth. Whether you like him or hate him, you can’t deny that this Salome production did have some moments of brilliance. Enjoy the review and let me know your opinions as well.