Mademoiselle Hanna-Elisabeth Müller heralds her return to the Met as one of her signature roles, Pamina, in an abridged English-language version of Mozart’s last opera intended for families and audiences of all ages. Enjoy the review and let me know your opinions as well.
Hanna Elisabeth Müller
A charming, young singer makes her Met debut surrounded by veterans in Beethoven’s only opera. How will it go?