It is a royal throwdown between the young spinto soprano Miss Christina Nilsson as the captured Ethiopian princess Aida and the veteran Wagnerian soprano who has nowadays turned her attention to dramatic mezzo roles Madame Katarina Dalayman as the proud Egyptian princess Amneris. Which of these two phenomenal ladies of the stage will come out on top? Sit back, relax, enjoy, and find out in this review.
‘Tis time to bid my beloved Stockholm until the next time with this fabulous production of Tosca at the Kungliga Operan, starring a lirico-spinto soprano who has been known for her extraordinarily wide-ranging repertoire, a dramatic tenor who mostly has a penchant for the Germanic repertoire, and a tall, dark, and handsome dramatic baritone. Enjoy the review and let me know your opinions as well.
By the gods and goddesses of Mount Olympus and the Elysian Fields, this was definitely a most invigorating, extraordinary, and uplifting afternoon I had with this magnificent Legion of Superwomen. Three mighty and awesome ladies who put Richard Strauss’s high-octane music to great use, Iréne Theorin as a powerful and nuanced Elektra, Cornelia Beskow as a gorgeous and youthful Chrysothemis, and Katarina Dalayman as an elegant yet troubled Klytämnestra, managed to sweep me off my feet. They, of course, were joined by a fine ensemble, but these ladies certainly stood proud and tall. Find out in this review why I especially admire these classy, alluring, and strong superwomen and let me know your opinions as well.
It’s Rossini’s Cenerentola set in Merry Olde England with an exciting cast headed by the indescribably gorgeous and charming young lyric mezzo-soprano, Mademoiselle Johanna Rudström. Enjoy the review and let me know your opinions as well.