My final night here in Tallinn and my final Red Ribbon Reviewers’ contribution goes out with a bang, as Kristel Pärtna, who I saw two years ago as the poignant Pamina, takes on the iconically dramatic role of Violetta Valery. Enjoy my review and let me know your opinions as well.
Giuseppe Verdi
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I have seen Vera-Lotte Böcker as the lavish Eudoxie and the sweetly poignant Pamina. How did she fare as Verdi’s most iconic operatic courtesan? Find out in my review, enjoy, and let me your opinions as well.
Natalya Pavlova rose to the challenge of taking on one of her signature roles at the Komische Oper Berlin. Enjoy the review and let me know your opinions as well.
Known to the world for her charmingly waif-like figure and sweet countenance, Miss Aida Garifullina takes on one of Verdi’s purest heroines, which has become one of her all-time signature roles. Enjoy the review and let me know your opinions as well.
Taking up Violetta’s finely-laced mantle was a young, lithe, sleek soprano who has gained some fame around Europe, Zuzana Marková. Enjoy the review and let me know your opinions as well.
The charismatic, charming, and gorgeous Pretty Yende steps up to the plate to tackle the iconic Parisian courtesan Violetta Valery. Enjoy the review and let me know your opinions as well.
After years of tackling the Mozartean repertoire, Christopher Maltman ascends to the challenge to tackle the tragic hunchback court jester while being joined by a cast of vibrant, young singers with loads of potential. Enjoy the review and let me know your opinions as well.
Fresh from his role debut as the Venetian Moor in Toronto, Canada, Russell Thomas brought this iconic tragic hero to Berlin where he was joined by a cavalcade of superstars, including the pristine Guanqun Yu and the dynamic George Gagnidze. Enjoy the review and let me know your opinions as well.
A brilliant full lyric tenor with a growing repertoire rises to the challenge to take on the delightfully despicable Duke of Mantua. Enjoy the review and let me know your opinions as well.
Two years ago in the marvelous city of Budapest, Hungary, I caught this production of Giuseppe Verdi’s Il Trovatore set in the 20th century with the melodrama amped up to eleven. Enjoy the review and let me know your opinions as well.