When you put a powerhouse dramatic soprano who is known to the world for her portrayals of such mighty madames like Abigaille and Lady Macbeth, a dramatic tenor whose voice is like ocean waves ready for the surf, a dramatic baritone whose penchant for scoundrels is the stuff of popularity, throw in such crowd-pleasing supporting players, and a conductor to as a binding agent, you know this is going to be an exceptional tour de force of a performance. Enjoy the review and let me know your opinions as well.
James Kryshak
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Dissonance in the music, exceptional artistry and some dark humor give life to Scartazzini’s Edward II.