An ambitious recording of Puccini’s Turandot with the complete, uncut, and original Franco Alfano ending that heralds a mainstream cast of today’s opera stars. Please enjoy my review and let me know your opinions.
Opera
Brilliant top notes and a bright future are what constitute Aigul Khismatullina’s journey in essaying the title role of Donizetti’s Lucia di Lammermoor. Please enjoy my review and let me know your opinions as well.
Happy First Advent, everybody. Antoni here with some ecstatic news. From two days ago until yesterday, my review of Mozart’s Die Zauberflöte at the Deutsche Oper Berlin starring Diana Schnürpel as the Queen of the Night grew in recognition on LinkedIn. Thanks to my review of her performance as the Queen of the Night, Ms. Schnürpel herself thanked me so graciously, and I was delighted and grateful to have heard from her. Moreover, people who have also been acquainted with Ms. Schnürpel’s work as a musician and a singer have also reacted positively to my review of her performance. All of what I assessed from Ms. Schnürpel’s Queen of the Night in my review was truthful with no pretense whatsoever. Therefore, the feedback I received from my assessment of Ms. Schnürpel’s vocal and theatrical performance as the Queen of the Night was laudable and encouraging. I am grateful that my work as an online reviewer has been acknowledged, as it compels me to continue to produce more content for my channel. Here is my review of Diana Schnürpel’s performance as the Queen of the Night if you want to watch and listen to it. Have a lovely First Advent, everybody.
The young lyric coloratura soprano Julia Muzychenko tackles Gilda from Verdi’s Rigoletto, one of the many roles that define her ever-flourishing operatic career from soubrette to lyric coloratura. Please enjoy my review and let me know your opinions as well.
Embracing a vast array of roles designated for both lyric coloratura sopranos and dramatic coloratura sopranos, Diana Schnürpel performs one of the many roles she has been renowned for The Queen of the Night. Please enjoy my review and let me know your opinions as well.
A rising full lyric soprano tackles one of Wagner’s virginally innocent heroines. Please enjoy my review and let me know your opinions as well.
It is out with the Middle-Age fairs and in with the 1990s to 2000s Croc shoes in Jossie Wieler’s, Anna Viebrock’s, and Sergio Morabito’s production Wagner’s Die Meistersinger von Nürnberg. Please enjoy my review and let me know your opinions as well.
Egils Silins, a veteran of both the Heldenbariton and basso cantante repertoires, tackles one of the signature roles that he has been singing for several decades, The Flying Dutchman. Please enjoy my review and let me know your opinions as well.
Conquering the Heldentenor repertoire focusing on Wagner in international opera houses around America and Europe is Clay Hilley, who tackles this wayward knight and court singer. Please enjoy my review and let me know your opinions as well.
Jordan Shanahan continues to conquer the Heldenbariton repertoire with his rendition of The Dutchman in Christian Spuck’s gothic production of Wagner’s Der Fliegende Holländer. Please enjoy my review and let me know your opinions as well.