Wolfgang Amadeus Mozart

Happy First Advent, everybody. Antoni here with some ecstatic news. From two days ago until yesterday, my review of Mozart’s Die Zauberflöte at the Deutsche Oper Berlin starring Diana Schnürpel as the Queen of the Night grew in recognition on LinkedIn. Thanks to my review of her performance as the Queen of the Night, Ms. Schnürpel herself thanked me so graciously, and I was delighted and grateful to have heard from her. Moreover, people who have also been acquainted with Ms. Schnürpel’s work as a musician and a singer have also reacted positively to my review of her performance. All of what I assessed from Ms. Schnürpel’s Queen of the Night in my review was truthful with no pretense whatsoever. Therefore, the feedback I received from my assessment of Ms. Schnürpel’s vocal and theatrical performance as the Queen of the Night was laudable and encouraging. I am grateful that my work as an online reviewer has been acknowledged, as it compels me to continue to produce more content for my channel. Here is my review of Diana Schnürpel’s performance as the Queen of the Night if you want to watch and listen to it. Have a lovely First Advent, everybody.

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Mozart’s Idomeneo at the Staatsoper Unter den Linden Review

David McVicar’s production of Mozart’s Idomeneo may eclectically combine Feudal-Era Japanese, Middle Eastern, European, and Greek aesthetics, but how do the singers fare in their roles in this production? At least it was nice that I have achieved my dream of seeing Olga Peretyatko and Anna Prohaska together on stage as the two rivaling princesses Elettra and Ilia respectively. Enjoy my review and let me know your opinions as well.

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Mozart’s Die Zauberflöte Starring Rainelle Krause Review

Rainelle Krause, a lyric coloratura soprano renowned for her fearlessness as an aerial acrobat, heralds the stage as one of her calling-card roles, The Queen of the Night, alongside the astounding light lyric soprano Victoria Randem as Pamina and the sweet soprano light lyric coloratura Regina Koncz as Papagena. Enjoy my review and let me know your opinions as well.

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Ah, Belmonte from Mozart’s Die Entführung aus dem Serail or The Abduction of the Seraglio. As a lyric tenor, I can decree that he is one of my most favorite Mozart characters for the tenor voice, and here I am singing his entrance aria. It was also a really challenging aria to get through, but I definitely enjoyed the ride. So, I hope you all enjoy my rendition.

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